Un tango à Paris and The Goat: Constructing a Reality

 Un tango à Paris — Maria Filali & Özgür Karahan

 

Mass Media constructs realities based on specific sets of codes and conventions determined by the nature of each Medium. The constructed reality of cinema derives from photography. Photography makes use of line, perspective, framing, light & shadow, camera angle and distance and in choice of monochrome or colour. Cinematography add motion, both the subject’s and that of camera’s. The nature of illusion of sequential motion that is created through film allows for editing of shots.

 

 

The Goat (1921) , a Buster Keaton two reeler ( A short silent film, of around twenty minutes running time. ),  plays with the construction of reality in multiple ways to create mistaken identity and confusion. Buster’s character is mistaken for the criminal because of a wrongly posted photograph. Mannequins are mistaken for people and a real Indian is mistaken for a cigar shop statue. Cuts and point of view alter the reality in this early Keaton classic.

The Goat 1921 - Buster Keaton

In Un tango à Paris, reality bends with colour and monochrome slipping  into a tango dance. Director Thomas Baspeyras,   admirably makes use of fades, perspectives, camera distance and angles to portray the transformation in time & place as the couple dances. With only two  GH3s cameras and assistant Marie Astier , he found editing the reality of the dancing challenging. Tangos are often improvised and lack of a specific choreographed  piece and this challenged creating a sense of continuity when editing.

 

 

Dancers (Links) : Maria Filali  and Özgür Karahan

 

 

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Peace Starts With Me: Video Art by Magali Charrier

 

Magali Charrier was commissioned by PUMAPeace, alongside 7 other artists, to create a piece around the idea of Peace for the World Peace Festival 2011. The piece was subsequently broadcast on Channel4 in October 2011 as part of Random Acts.

Artist Statement

“I use drawing as a tool for investigating the human body and its inner workings—giving sight to what is only felt, not yet seen or known. By merging animated drawings with live action, I put mark making at the centre of filmmaking. In their dialogue, body and trace question the materiality of movement and of human presence.

For films4peace, I was concerned with depicting the intimate battles that occur daily within oneself and the chaotic journey that takes place in order to reach inner peace. A simple setting: one fixed long shot, a human figure in an empty space. Stillness. Suddenly shadows flicker out of the human figure, sporadically first, then frenetically entering and extracting themselves, interfering and frantically disrupting the initial state, building up to darkness. Peace comes as a sudden breath born out of chaos.”

Charrier is an award winning director, animator and video editor whose work has been toured and broadcast throughout the world.

 

Magali Charrier – click to visit her website.

 

Click to view Le Corps en Construction series by Magali Charrier.

Her background in fine arts, animation and dance gives her a highly sought-after and distinctive style often incorporating film and animation. She is the recipient of numerous awards (VideoDansa Prize, Barcelona; NAHEMI Award at Encounters Film Festival, Bristol, Best Dance Film at CineDans Festival, Amsterdam and more) and bursaries from Channel4, BBC4 and the Arts Council.

Magali also works as a visual artist, producing animated video projections for live theatre and dance productions as well as short films and illustration. She completed a short series of animated films about contemporary dance, commissioned by The Place. The series was due to launch in summer 2014.