Comicbook characters such as Batman are part of contemporary iconography – a modern mythology on which we project values, beliefs & ideologies in the forms of hopes & fears. Batman, being one of the earliest comic superheroes ( 75 years ), has his roots in the Pulp Magazine & Pulp Hero tradition.
He blends the qualities of characters such as The Shadow & The Spider with the master savant detective first crystallized in the character of Sherlock Holmes. Batman’s comicbook universe setting ranges from Hard Boiled Noir to Gothic Fantasy, with stop overs in the cosmic metaphysical realms associated with speculative fiction. This makes the character both flexible and challenging, whether being portrayed in print or other media, such as movies and television. Bryan Hitch‘s observations, as writer & illustrator of the current JLA comic, provide some insight into this creative balancing act.
— I wasn’t sure about Batman. When I had that abortive attempt to do “Justice League” 15 odd years ago with [Mark] Waid, I couldn’t figure out, visually, how to handle Batman. And I kind of translated that mentally into, “I probably wouldn’t be able to write him, either.” The odd thing, when I started writing the story out, was just how much Batman took care of his own business for you. You just find a situation, drop Batman in it, and he writes his own dialogue. It’s hilarious.
Batman, at the same time, he’s the guy that has the detective skills, and the analytical skills, to be able to look at all this stuff, and start putting the picture together with the jigsaw pieces, and make that leap that some of the other characters may not be able to — because they’re looking very closely at the individual points, where Batman’s experience is a little wider, I think. I was worried about Batman, but I’m actually having such a nice time writing him in the context of these stories. And he’s such a useful character, because he’s the guy that figures everything out.
I actually find him hilarious to write. He’s got that kind of grim visual, certainly, but I find that he’s the guy with the sarcastic one-liner — not necessarily because he’s trying to be funny, but you have a funny situation, and he nails the line at the end of the scene. And it’s funny because of that, not because he’s trying to be funny. I find that in that group environment, there’s a lot of humor to be had. I’ve been writing him a scene between him and Aquaman, and they’re actually talking about magic crystals, and just these two characters talking about magic crystals, they realize that they’re having an absurd conversation. FULL INTERVIEW at CBR: Bryan Hitch Stays Put at DC with “Justice League of America”